For Season 2 of Altered Carbon, Netflix tasked us to make geeks drool over the production value (geeks being said with ample adoration, of course).
To accomplish this we developed a suite of premium creative via C4D renders, practical on-set shoots with talent, 2D/3D VFX, and custom HUD systems. One of the most rewarding moments was shooting the official teaser for the series with Anthony Mackie, of which my creative partner and I conceptualized and scripted.
For Season 2 of Altered Carbon, Netflix tasked us to make geeks drool over the production value (geeks being said with ample adoration, of course).
To accomplish this we developed a suite of premium creative via C4D renders, practical on-set shoots with talent, 2D/3D VFX, and custom HUD systems. One of the most rewarding moments was shooting the official teaser for the series with Anthony Mackie, of which my creative partner and I conceptualized and scripted.
For Season 2 of Altered Carbon, Netflix tasked us to make geeks drool over the production value (geeks being said with ample adoration, of course).
To accomplish this we developed a suite of premium creative via C4D renders, practical on-set shoots with talent, 2D/3D VFX, and custom HUD systems. One of the most rewarding moments was shooting the official teaser for the series with Anthony Mackie, of which my creative partner and I conceptualized and scripted.
The custom 3D world we created dropped easter eggs to social superfans while introducing our characters to the world. These assets were used across Netflix's owned and managed channels, as well as OOH.
The custom 3D world we created dropped easter eggs to social superfans while introducing our characters to the world. These assets were used across Netflix's owned and managed channels, as well as OOH.
For Season 2 of Altered Carbon, Netflix tasked us to make geeks drool over the production value (geeks being said with ample adoration, of course).
To accomplish this we developed a suite of premium creative via C4D renders, practical on-set shoots with talent, 2D/3D VFX, and custom HUD systems. One of the most rewarding moments was shooting the official teaser for the series with Anthony Mackie, of which my creative partner and I conceptualized and scripted.
The custom 3D world we created dropped easter eggs to social superfans while introducing our characters to the world. These assets were used across Netflix's owned and managed channels, as well as OOH.
